He has said, for instance, that his 10th film will likely feel like an epilogue to his career, whereas his ninth movie, Once Upon a Time in Hollywood, was more of an epic. Though no details about The Movie Critic were known prior to March 2023, Tarantino previously gave a few hints about what we can expect from his final project. What else has Tarantino said about his last movie? 2022 he didn't know what his last movie would be and was in no rush to make it. But the project appears to have come together quickly, as Tarantino said in Nov. ![]() It isn't clear if The Movie Critic will be directly about Kael, merely draw inspiration from her life, or neither. Kael retired in 1991, the year before Tarantino released his first movie, Reservoir Dogs. ![]() She also briefly worked as a Paramount consultant in the 1970s, and the Reporter notes that "the timing of that Paramount job seems to coincide with the setting of" Tarantino's script. One of her most famous pieces of writing was 1971's Raising Kane, a controversial essay questioning the authorship of Citizen Kane. Kael is widely regarded as one of the most influential movie critics of all time. "To me was my film professor, and at the end of the day ended up being more influential to me as a filmmaker than any director." "The critic that's had the most impact on me is, hands down, Pauline Kael," Tarantino said on the Pure Cinema podcast in 2020, per Air Mail. She was active in the 1970s, and he cites her numerous times in his film criticism book Cinema Speculation. After all, Tarantino has frequently expressed admiration for The New Yorker's late critic. Thomas Flight and Tom van der Linden discuss the challenges of depicting the incomprehensible, the problem of identity in an ever-transforming world, and our tendency for self-sabotage and self-destruction, in Alex Garland’s Annihilation.The Movie Critic is a working title and not final, Variety says, adding that Tarantino is shopping the script to potential buyers and seeking a deal that would include a "robust theatrical release."įurther plot details weren't revealed, though the premise sparked speculation that the movie could be about Pauline Kael. Thomas Flight and Tom van der Linden discuss the strange comfort of murder mysteries, the link between puzzles and existentialism, and the humanity that arises in shared conflict, in David Fincher’s Zodiac. Thomas Flight and Tom van der Linden discuss the continuation of the Matrix saga, the struggles and power of the individual artist in a bigger system and facing trauma in Lana Wachowski’s The Matrix: Resurrections. Thomas Flight and Tom van der Linden discuss the storytelling challenges of inverting time, questions of choice and determinism, and the deeper thematic layers of Christopher Nolan’s Tenet. Thomas Flight and Tom van der Linden discuss the psychology of immortality, the implications of anthropomorphizing the cosmos and moralizing existential matters, and humanity’s place in the universe in Chloe Zhao’s Eternals. Thomas Flight and Tom van der Linden discuss the expectations of genre, the struggle between success and authenticity, and the importance of passion and real connections in Michael Sarnoski’s Pig. Thomas Flight and Tom van der Linden discuss subjectivism, self-delusion, and the struggle for justice in a world of inequal power dynamics, in Ridley Scott’s The Last Duel. ![]() Thomas Flight and Tom van der Linden discuss the changing meaning of the Batman character, the effectiveness and limitations of vigilante stories, and the implications of radicalized villains in a time where actual conspiracy theories are causing increasing harm, in Matt Reeves’ The Batman. See Privacy Policy at and California Privacy Notice at. Get ad-free episodes a week early and access to a monthly bonus episode on Nebula: (Signing up using our link supports the podcast).īecome part of the Cinema of Meaning community by supporting us on Patreon: Thomas Flight and Tom van der Linden discuss political metaphors, grandiosity, and dark heroic journeys, in Denis Villeneuve’s Dune.
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